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The Alien at the Coffee House By Pete Kushmeider
I
scan around the room here at Ritual Roasters in the Mission - a
pleasant space filled with natural light, pungent coffee aromas, and
people. Mission people. This morning, it's predominantly a melange
of bike messengers, artists, and entrepreneurs. The bike messengers are
obvious; the artists are the oddly dressed and styled malnourished
ones; and the entrepreneurs sit in loud packs discussing PowerPoint
marketing plans. Many
could be queer - even the young father sitting with his toddler. I
just need insights into what they feel, what motivates them, what
societal forces guide them. Common cultural traits; a schema for
this micro-cross-section of urban human behavior. It's a simple
academic assignment really. So,
why is it these people truly remain foreign to me? Try as I do, I
cannot get invited into meaningful discussions with the
representative cultural types. I've been coming here, to the same
spot, at the same time, each day for two weeks. I have noted all the
surface information, in fact catalogued numerous pages on dress,
public behavior
(including sexual behavior!), and the like. But that's so far from where I
need to be right now. Actual real-time participation in group behavior is
the step I must make - and so far a bridge too far for me. I
began to come here based on research in local written and electronic
sources, citing this spot in particular as having a clientele both diverse,
and representative of the larger urban entity. My use of the online
social networking service Craigslist, which reference sources had
told me was the best way to meet people, failed to produce
meaningful contact with the community. I had to resort to other
observational measures. So I wait here, sipping double non-fat
lattes, for any opportunity to join in cultural experiences. "Hey,
what's that you're working on?" I am interrupted by one of the
artist types. I look up from my notes. "I'm studying" I reply,
which is, after all, correct. "Xeno-anthropology" I add,
figuring he won't pick
up on that. His pink hair and shin-length pants (not jeans, not black)
identify him as a probable artist. I must engage him in a meaningful
prolonged encounter. "Sounds awesome. You've got foam all over your
upper lip man." Processing quickly, I determine a dual course of
action. I wipe my mouth, at the same time I slide over to offer the
artist-candidate a seat on the sofa. I engage facial muscles to form an
expression which in this culture is considered a sign of welcome. It
works! He takes the offered seat. "What's your sign?" I ask.
Research from a colleague's previous stint here fortunately provides me
with topical guidance. "I'm an Aries" I add to demonstrate
my knowledge of this pop-cultural niche. Artist shakes his body,
and My
searches finally confirm this is the meaning with highest probability.
I prepare the optimal reply, intending to extend community participation
with this one as long as possible. I say "Let's fuck dude." "I'm
not gay." His facial muscles activate further, however, which
should indicate sexual interest. And he conducts a preening exercise,
common to many known species, running one hand though his hair. I am
confused. Historical databanks from earlier observers tell me the next
likely scenario is he is a physical culturist. He may have been commenting
on my arms to begin a discussion of body- Copyright © 2008 Pete Kushmeider |
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Also by Pete Kushmeider on SoMa Literary Review: Red Glitter Shoes
Pete Kushmeider gave up on making a fortune in high tech in order to write, blog at queeristan.wordpress.com, and work on his novel. He lives with his partner of 22 years, and currently scribbles about aliens among us. |
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Reproduction of material from SoMa Literary Review pages |